|||

cheap joke

Last month I went and saw/listened to Nils Frahm at St John’s at Hackney Church in London. I like his music a lot — particularly the album Felt — and there was something quite memorable about the intensity of his performance that contrasted with his easy-going manner of engaging with the audience.

At one point in the gig Nils thanked us for staying so quiet (some of his material is pretty subtle), but he encouraged us to not to feel inhibited by the intimacy of the sound: Do whatever you feel like, even come up here and do some expressive dance’.1

The audience, predictably, laughed.

How is that doing expressive dance (perhaps only one slightly better than interpretive dance) is a cheap gag, the line that is assured of getting a laugh?

I’m pretty tired of the apologies that surround the discipline that moves me, that challenges me, that I pursue with all my heart, and that I make a living from. And so, I’d like to be clear (in bold):

I am an interpretive dancer.

Fuck yeah.


  1. I was tempted, and if I had that time again …↩︎

Up next resonating wildly I pledge to focus the majority of my energies on finding and supporting contemporary cultural activity, whatever form that may take, that resonates indelible update In 2005 I finished a practice-as-research PhD called Indelible. It’s about improvisation, archives, memory and liveness in dance and performance and
Latest posts hiatus the end of nature thinking like a consumer eliminate the friction Look and Look Again astray awkwardly sign on the door ask nature ecosytemic practice research self portrait as time the comfort/chaos circle things will have to change ladder of inference physical connection berry on minimalism stimming the body isn’t a thing postcards no country your morals eating irritating in others awakened transfiguration bits of unsolicited advice stockdale paradox hands that don’t want anything singing and dancing losing oneself given a price on remembering everything